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Inspiring, educational, & captivating for all ages!

When I first read this book I felt like dancing myself!

A Much Needed BookWhat makes the book so interesting is that the author has investigated the background to each film, such as the controversy that projects such as "Carnival Night," "Nine Days of One Year" and "Ilich's Gate/I Am Twenty" generated before and during filming. These critical responses are tied to the political shifts of the Khrushchev era.
If there are any drawbacks, it is that the book opens slow, but then the interesting films didn't really start appearing until 1956. Also, the Shakespeare films of Soviet directors aren't really covered, but I can understand why the author made that choice.
Still, the positive features far outweigh any criticism. The book gives new perspective on directors such as Mikhail Romm, and shows the start of the careers of directors such as Eldar Riazonov and Elim Klimov. It adds flesh and spirit to the overviews of "Thaw" era Soviet cinema that appeared in The Most Important Art and other books.
Strongly recommended to anyone with an interest in Soviet cinema in general or European film of the Fifties and Sixties.


need information on ancient australia

Ancient Australian Riches

Superb overview of VOGUE magazine's affair with royaltyThe photographs certainly are superb--and the reason most folks would be interested in seeing this book--but the text is also marvelously immediate and almost breathless in places. There are firsthand accounts of the rehearsal for George's coronation in 1937, and Cecil Beaton's notes from the abbey regarding Elizabeth's coronation in 1953. These have such a "you are there" flavor that one can almost picture the scene without the aid of the photographs which accompany the text. Beaton writes:
"The massed Peeresses, an inconceivably wonderful sight . . . Their foam-white ermine and dark red velvet looking like a parterre of auricula-eyed Sweet William . . . Their decolletage the palest pampered pink . . . Among them, undoubtedly the most beautiful is the young Duchess of Devonshire, wearing the original eighteenth-century coronation robe belonging to Georgiana, Gainsborough's Duchess . . . "
The photographs themselves are beautiful, of course, but let us remember that this is VOGUE and that beauty in the subjects was also of paramount importance. Princess Marina of Greece and Lady Alice Montagu-Douglas-Scott appear in several photographs, looking almost as classically beautiful as Roman busts. Of course there are ample photographs of the lovely Diana, Princess of Wales, and her country-girl-pretty counterpart Sarah Ferguson--in their wedding gowns and in other outfits. And lastly, there are many, many photographs of the Duke and Duchess of Windsor--looking, always, a little tired, very brittle, very wary. It's a fascinating glimpse into a world the vast majority of us know absolutely nothing about.


A Classic Fairy Tale

Extremely Captivating!

The Mercury Rockets!

Une Femme Habitee